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by MOI Toril KRISTEVA Julia


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Toril Moi, with her usual exegetical lucidity, makes sense for us of the immensely difficult and varied aspects of Julia Kristeva's intellectual project, characterized by Moi as an attempt to 'think the unthinkable'

Only 11 left in stock (more on the way). Toril Moi, with her usual exegetical lucidity, makes sense for us of the immensely difficult and varied aspects of Julia Kristeva's intellectual project, characterized by Moi as an attempt to 'think the unthinkable'.

The Kristeva Reader is a comprehensive collection of Julia Kristeva's work, containing essays spanning her career up to 1986. Additionally, the introduction provides an overview of Kristeva's work, focusing in particular on issues not discussed elsewhere in the reader.

Julia Kristeva (French: ; Bulgarian: Юлия Кръстева; born 24 June 1941) is a Bulgarian-French philosopher, literary critic, semiotician, psychoanalyst, feminist, and, most recently, novelist, who has lived in France since the mid-1960s. She is now a professor emeritus at the University Paris Diderot.

Julia Kristeva, internationally known psychoanalyst and critic, is Professor of Linguistics at the University de Paris VII. She has hosted a French television series and is the author of many critically acclaimed books published by Columbia University Press in translation, including Time and Sense: Proust and the Experience of Literature and the novel, Possessions. Close X. Learn about new offers and get more deals by joining our newsletter.

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The essays have been selected as representative of the three main areas of Kristeva's writing-semiotics, psychoanalysis, and political theory-and are each prefaced by a clear, instructive introduction.

Julia Kristeva is one of Europe's most brilliant and original theorists, widely acclaimed for her work in such diverse areas as linguistics, psychoanalysis, literary and political theory.

Personal Name: Kristeva, Julia, 1941-. Publication, Distribution, et. New York On this site it is impossible to download the book, read the book online or get the contents of a book. The administration of the site is not responsible for the content of the site. The data of catalog based on open source database. All rights are reserved by their owners.

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An easily accessible introduction to Kristeva's work in English. The essays have been selected as representative of the three main areas of Kristeva's writing--semiotics, psychoanalysis, and political theory--and are each prefaced by a clear, instructive introduction. For beginners or those familiar with Kristeva's work this is a good complement toThe Portable Kristeva with a convenient selection of articles from Kristeva's earlier work some of which are otherwise hard to come by.


Comments: (6)

Dikus
excellent
Wilalmaine
Great for understanding more of the Kristevian philosophy.
Mamuro
I was raised in a rustic stupidity that felt superior, like the apostle Paul, to the kind of thinking that considers drifting helplessly like waste the kind of useless expense that would attract the marginal thinking of millionaires, billionaires, and floating turds. What people are afraid to say is what Julia Kristeva calls:

The proof lies in its silence, in its expenditure of exuberant activity. (p. 291).

An interview called Why the United States? is translated from a discussion with Marcelin Pleynet and Phillippe Sollers published in 1977, in which Sollers observed:

It's very obvious that in American society,
signifiers of money and sexual signifiers
have a presence and a capacity for
repetition that is far greater than elsewhere. (p. 288).

Reading as a chore that has to be taught in school is being surpassed like the artisan, occultish-rustic stupidity that limited art appreciation to the style of a particular time and space imposing authority over what people could do as part of an ongoing community. Our leap from faith into urban multiplicity is already blending ourselves with apocalyptic literature. Julia Kristeva's reactions to the United States includes:

you do have a common discourse
haunted by the demonic (p. 288).

As a Freudian expert in the humor of the Vietnam war, I felt special rejection in comparison with the Roman:

veni, vidi, vici (Julius Caesar)

I came, I saw, I was extraliminated (who called the Saint Paul Police Department this time?)

But the eruption of pornography . . .
etc. . . . produces its own particular
chapels and dead ends. (p. 279).

People in the United States do not control a language for saying what they think:

because they have no language,
since English, in America, is a code.
Can psychoanalysis be implanted
in a code? It's a shame, in fact it's
a great disaster, the PLAGUE as Freud said. (p. 279).

We can only find displaced memory because there's no mainstream. (see p. 281).

People who have tried to create real history produce a completely academic cultural anachronism. (p. 283).

In 1977, Julia Kristeva was worried about becoming too idiosyncratic (p. 273). She had gone to China to experience how breaks within history can occupy the thoughts of so many people, but only saw it as:

an anarchist outbreak within Marxism (p. 273).

America is too large to unite. It grows in opposition to what exists anywhere:

For each opposition an enclave is created
where it stagnates. (p. 274).

A split history produces all the flashes of psychosis. Non-truth does not increase its influence as much as everywhere else. Just mentioning anything in a wilted two power pornography can produce an anti-intellectual witch-hunt. (See p. 277).

Because Julia Kristeva was taught a very Marxist Russian language as she was growing up, she was one of the first people to introduce French intellectuals to the literary criticism of Mikhail Bakhtin. An English translation of her French publication on how deeply semiotics becomes intertextual with culture forsaking itself in order to go beyond itself appears early in this book. It shows her familiarity with Bakhtin's Problems in Dostoevsky's Poetics.
EXIBUZYW
The Kristeva Reader is a good, even great, introduction to the work of Julia Kristeva. Some of Kristeva's most important works are brilliantly exerpted in readable prose by Toril Moi. Lovers of linguistics, rhetoric, literary theory, and psychology will find Kristeva's work compelling. One interesting aspect of the text is that it offers the reader a glimpse into the creative process. In an early essay, "Word, Dialogue, and Novel," Kristeva responds to the theory of Mikhail Bakhtin. Her later essay, "Revolution in Poetic Language," shows the evolution of Kristeva's language theory. Unfortunately, in order to make Kristeva accessible, Moi had to make some difficult choices in her editing. A serious scholar will undoubtedly find herself looking for the complete essays in another text.
SoSok
...abjection (If you also read 'Powers of Horror' by Kristeva) Quite comprehensive altough it would be hard to make a choice in the work of Kristeva. Kristeva's work focuses heavily on semiotics and women's role in politics and religion. Many of the theories will stir the soul, especially 'Stabat Mater' if you grew up forced into any european or western dogma. 'Women's Time' is a good possible evaluation of women and politics. Freud gets thrown into this in a very different manner than one expects, which leaves us to wonder, is Kristeva supporting the old 'Dr.' or not?
Jugore
This is one of my most cherished volumes of critical theory. Any self-respecting lit student should own this tome, and read it carefully. Many useful pieces for different scenarios.
The Kristeva Reader download epub
Psychology & Counseling
Author: MOI Toril KRISTEVA Julia
ISBN: 0631149295
Category: Health, Fitness & Dieting
Subcategory: Psychology & Counseling
Language: English
Publisher: Basil Blackwell (1986)
Pages: 304 pages