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The New Red Negro: The Literary Left and African American Poetry, 1930-1946 (Race and American Culture) download epub

by James Edward Smethurst


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Smethurst fills a gap in the study of African American literature. Series: Race and American Culture. Extensive notes on the text and bibliography provide insight into Smethurst's sources and analysis and provide a basis for further scholarly examination of the period and its issues.

The New Red Negro: The Literary Left and African American Poetry, 1930-1946 (Race and American Culture). James Edward Smethurst. Download (pdf, 1. 3 Mb) Donate Read.

The New Red Negro book. The New Red Negro surveys African-American poetry from the onset of the. The New Red Negro surveys African-American poetry from the onset of the Depression to the early days of the Cold War. It considers the relationship between the thematic and formal choices of African-American poets and organized ideology from the proletarian early 1930s to the neo-modernist late 1940s.

The New Red Negro: The Literary Left and African American Poetry, 1930-1946 surveys African American poetry between the onset of the Depression and the early days of the Cold War. The New Red Negro considers the relationship between the thematic and formal choices of African American poets and organized ideology from the "proletarian" early 1930s to the "neo-modernist" late 1940s. Even Hughes, who was certainly an accomplished artist before the 1930s, developed more fully the poetic stance rooted in popular urban African-American culture with which he is most frequently associated by both "popular" and "literary" audiences.

бесплатно, без регистрации и без смс. It considers the relationship between the thematic and formal choices of African-American poet. This study examines poetry by writers across the spectrum: canonical, less well-known, and virtually unknown

The New Red Negro surveys African-American poetry from the onset of the Depression to the early days of the Cold . 1 AfricanAmerican Poetry Ideology and the Left during the 1930s and 1940s from the Third Period to the Popular Front and Beyond.

The New Red Negro surveys African-American poetry from the onset of the Depression to the early days of the Cold War. This study examines poetry by writers across the spectrum: canonical, less well-known, and virtually unknown. 16. Sterling Brown and the Representation and Recreation of the Southern Folk Voice. 60. Langston Hughes in the 1930s. It considers the relationship between the thematic and formal choices of African-American poets and organized ideology from the proletarian early 1930s to th. . The ideology of the Communist Left as particularly expressed through cultural institutions of the literary Left significantly influenced the shape of African-American poetry in the 1930s.

African-American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of slave narratives, African-American literature was dominated by autobiographical spiritual narratives.

Negro : The Literary Left and African American Poetry, 1930-1946 .

The New Red Negro : The Literary Left and African American Poetry, 1930-1946. Part of the Race and American Culture Series). by James E. Smethurst.

The New Red Negro surveys African-American poetry from the onset of the Depression to the early days of the Cold War. It considers the relationship between the thematic and formal choices of African-American poets and organized ideology from the proletarian early 1930s to the neo-modernist late 1940s. This study examines poetry by writers across the spectrum: canonical, less well-known, and virtually unknown.The ideology of the Communist Left as particularly expressed through cultural institutions of the literary Left significantly influenced the shape of African-American poetry in the 1930s and 40s, as well as the content. One result of this engagement of African-American writers with the organized Left was a pronounced tendency to regard the re-created folk or street voice as the authentic voice--and subject--of African-American poetry. Furthermore, a masculinist rhetoric was crucial to the re-creation of this folk voice.This unstable yoking of cultural nationalism, integrationism, and internationalism within a construct of class struggle helped to shape a new relationship of African-American poetry to vernacular African-American culture. This relationship included the representation of African-American working class and rural folk life and its cultural products ostensibly from the mass perspective. It also included the dissemination of urban forms of African-American popular culture, often resulting in mixed media high- low hybrids.
The New Red Negro: The Literary Left and African American Poetry, 1930-1946 (Race and American Culture) download epub
History & Criticism
Author: James Edward Smethurst
ISBN: 019512054X
Category: Literature & Fiction
Subcategory: History & Criticism
Language: English
Publisher: Oxford University Press; 1 edition (April 15, 1999)
Pages: 304 pages