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To Join, to Fit, and to Make: The Creative Craft of Margaret Atwood's Fiction download epub

by Christina Ljungberg


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The author demonstrates how Atwood lets the very construction of her narratives expose the ideological and -constructed- character of "all" narrative, whether of fact or fiction

Christina Ljungberg craft and crafty rub shoulders; an. .the words artifice, artifact, articulation and art all come from the same ancient root, a word meaning to join, to fit, and to make.

Christina Ljungberg craft and crafty rub shoulders; an.

by Christina Ljungberg. Select Format: Paperback. ISBN13:9780820446172.

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To Join, to Fit, and to Make: The Creative Craft of Margaret Atwood's Fiction. Creative Dynamics: Diagrammatic strategies in narrative. 1. Preface 2. Introduction 3. Mapping practices 4. 2. Cartographic writing 5. 3. Reading as remapping: Cartographic performances 6. 4. Postcolonial mappings 7. 5. Remapping the past: The case o. More).

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To Join, to Fit, and to Make: The Creative Craft of Margaret Atwood's Fiction Christina .

Все результаты Поиска книг Google Об авторе (1986). Born November 18, 1939, in Ottawa, Canada, Margaret Atwood spent her early years in the northern Quebec wilderness. Settling in Toronto in 1946, she continued to spend summers in the northern woods. Atwood's first book of verse, Double Persephone, was published in 1961 and was awarded the E. J. Pratt Medal. 192 CHRISTINA LJUNGBERG that makes a story interesting, not the myriad of details embraced. by christina ljungberg. cartographer& Jonathan Swift, used his maps in Gulliver& Travels (1726) to ridicule his contemporaries& limited geographical knowledge, whereas the maps in John Bunyan& (1678.

One person named Christina Ljungberg living in the US. Christina Butler age: ~35. Known as: Christina Ljungberg, Christina Mikkelsen. Has lived in: Ramona, CAEl Cajon, CAOceanside, CA. Full Profile. Mentions about a name: Christina Ljungberg.

"...craft and crafty rub shoulders; and... the words artifice, artifact, articulation and art all come from the same ancient root, a word meaning to join, to fit, and to make." This quotation, from a review Margaret Atwood once wrote, fits her own literary craftsmanship. Drawing on research into Atwood's unpublished drafts and typescripts and on interviews, 'To Join, to Fit, and to Make' investigates how Atwood plays with the relationship between form and meaning, and the extent to which her narrative designs reflect the themes of her fiction. The author demonstrates how Atwood lets the very construction of her narratives expose the ideological and "constructed" character of 'all' narrative, whether of fact or fiction. Primarily focusing on two mature works, 'Cat's Eye' and 'The Robber Bride', this study also explores the interconnectedness of all of Atwood's work, throughout which certain literary myths and themes reappear in different guises. Thus, the analysis of 'Cat's Eye', which centres on the dramatic quality of autobiography, traces the key issues of the novel back to the very beginning of Atwood's writing. In 'The Robber Bride', the author discusses the function of the intricate mirroring and complex layering of the novel, and demonstrates how Atwood uses these basically gothic conventions to present new and challenging alternatives of vision.
To Join, to Fit, and to Make: The Creative Craft of Margaret Atwood's Fiction download epub
History & Criticism
Author: Christina Ljungberg
ISBN: 0820446173
Category: Literature & Fiction
Subcategory: History & Criticism
Language: English
Publisher: Peter Lang Publishing (August 1, 2001)
Pages: 202 pages