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The Irish Novel at the End of the Twentieth Century: Gender, Bodies, and Power download epub

by J. Jeffers


Epub Book: 1475 kb. | Fb2 Book: 1536 kb.

JENNIFER M. JEFFERS is an Assistant Professor in the English Department at Cleveland State University.

The Irish Novel at the End of the Twentieth Century: Gender, Bodies and Power interprets a wide variety of the most interesting Irish novels of the last ten years of the century from a perspective that focuses on the regulated sexual and constructed gendered body. JENNIFER M. The demarcating line of identity-the perennial Irish problem-can be gauged at the basic level of sexual and gender identity in contrast to or in alliance with political, social, religious or cultural norms.

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The Irish Novel at the End of the Twentieth Century: Gender, Bodies, and Power.

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The Master is a novel by Irish writer Colm Tóibín. It is his fifth novel and it was shortlisted for the 2004 Booker Prize and received the International IMPAC Dublin Literary Award, the Stonewall Book Award, the Lambda Literary Award, the Los Angeles Times Novel of the Year Award and, in France, Le prix du meilleur livre étranger in 2005. The Master depicts the American-born writer Henry James in the final years of the 19th century

Novels published in the last decade of the twentieth century by such writers as John Banville, Mary Costello, Seamus Deane, Emma Donoghue, Roddy Doyle, Deirdre Madden, Patrick McCabe, and Mary Morrissy have crossed, erased, overwritten, and rewritten the space where identity i. .

Novels published in the last decade of the twentieth century by such writers as John Banville, Mary Costello, Seamus Deane, Emma Donoghue, Roddy Doyle, Deirdre Madden, Patrick McCabe, and Mary Morrissy have crossed, erased, overwritten, and rewritten the space where identity is regulated or deregulated. Utilizing a Deleuzian reading strategy, the contemporary Irish novel produces a different kind of "sense" by presenting bodies whose zone of determinability is outside the regulatory norm granting, or intentionally not granting, the body an agency hitherto prohibited.

Through an insightful narrative - which points up the major features of the poets and the chosen excerpt Michael O'Neill and Madeleine Callaghan knit together contributions by major critics, as well as essays by a number of distinguished poet-critics, including Geoffrey Hill, Andrew Motion, and Tom Paulin.

But the twentieth-century novels are influenced by the changes in beliefs and . At this time the power and influence of British Empire was at its height.

But the twentieth-century novels are influenced by the changes in beliefs and political ideas after the events of the First World War and the disappearance of the British Empire. This change can be noticed if we look at the works of the two writers who are not so far from other in terms of time. The novels of the nineteenth century were written at a time when there was confidence and stability in British society. But the twentieth-century novels are influenced by the changes in beliefs and political ideas after the events of the First World War and the disappearance of the British Empire.

The Irish Novel at the End of the Twentieth Century: Gender, Bodies and Power interprets a wide variety of the most interesting Irish novels of the last ten years of the century from a perspective that focuses on the regulated sexual and constructed gendered body. The demarcating line of identity-the perennial Irish problem-can be gauged at the basic level of sexual and gender identity in contrast to or in alliance with political, social, religious or cultural norms. All mechanisms that have gone into controlling the body-gender regulation, violence, desire, religious taboos-can all be reinterpreted through the body in motion.
The Irish Novel at the End of the Twentieth Century: Gender, Bodies, and Power download epub
History & Criticism
Author: J. Jeffers
ISBN: 0312238398
Category: Literature & Fiction
Subcategory: History & Criticism
Language: English
Publisher: Palgrave Macmillan; 1st edition (March 20, 2002)
Pages: 207 pages