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The Portable James Joyce download epub

by Harry Levin,James Joyce

Epub Book: 1286 kb. | Fb2 Book: 1986 kb.

In addition, there is a generous sampling from Ulysses and Finnegans Wake, including the famous "Anna Livia Plurabelle" episode.

The Portable James Joyce book. in full, and that most people will only read 'Ulysses' and 'Finnegan's Wake' in excerpted form anyway, this may the only Joyce book you'll ever want to own.

Title: The Portable James Joyce By: James Joyce Format: Paperback Number of Pages: 762 Vendor: Penguin Random House Publication Date: 1976. Dimensions: . 6 X . 5 X . 5 (inches) ISBN: 0140150307 ISBN-13: 9780140150308 Series: Portable Library Stock No: WW150307. Publisher's Description.

James Joyce, Harry Levin

James Joyce, Harry Levin. In addition, there is a generous sampling from "Ulysses" and "Finnegans Wake," including the famous "Anna Livia Plurabelle" episode.

Both works revolutionized the form, structure, and content of the novel. Joyce died in Zurich in 1941. Harry Levin (1912–1994), literary critic and modernist literature scholar, graduated from Harvard University and began teaching there some years later.

by James Joyce · Harry Levin. This early work by James Joyce was originally published in 1927. James Joyce was born in Dublin, Ireland in 1882

by James Joyce · Harry Levin. Four complete works: A Portrait of the Artist As a Young Man, Dubliners, Collected Poems (including Chamber Music) and Exiles, James Joyce's only drama, A generous sampling from Ulysses, Selections from Finnegans Wake (including the famous "Anna. Selected Letters of James Joyce. Pomes Penyeach' is a collection of Joyce's poetry. James Joyce was born in Dublin, Ireland in 1882. He excelled as a student at the Jesuit schools Clongowes and Belvedere, and then at Unive.

Harry Levin (1912–1994), literary critic and modernist literature scholar, graduated from Harvard University and began teaching there some years later

Only 3 left in stock (more on the way). In 1960 he became the Irving Babbitt Professor of Comparative Literature at Harvard and retired in 1983.

com User, February 7, 2006.

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James Joyce: A Critical Introduction (1941). Toward Stendhal (1945). Guide to the Papers of Harry Levin (with biography). At the American Comparative Literature Association: The Harry Levin and René Wellek Prizes (given in alternate years). Toward Balzac (1947). Category:1912 births Category:1994 deaths Category:American Jews Category:American literary critics Category:Harvard University alumni Category:Harvard University faculty Category:Guggenheim Fellows Category:20th-century American non-fiction writers.

Comments: (7)

A handy little book. I would have preferred a couple more sections from the Wake, but that might be pushing it.
One of the best books in my library! Mostly for the stories from The Dubliners and A portrait of an Artist as a Young Man
This is a good compilation but the completeness comes at a price....very small print and bulky book....fine for quick reference and short periods of reading
great book~
Nirvanic FINNEGANS WAKE: James Joyce's West/East RevelationJoyce was 40 yrs old when Ulysses was published, it is a day in the life of a husband and father of Joyce's age (at publication). Joyce loved Dublin and Ireland and though the book was written on the European continent - he wanted to memorialize his birth home (Ireland). The framework of Ulysses is Homer's Odyssey - The Roman Ulysses: 1 Telemachus, 2 Nestor, 3 Proteus, 4 Calypso, 5 Lotus Eaters, 6 Hades, 7 Aeolus, 8 Lestrygonians, 9 Scylla And Charybdis, 10 Wandering Rocks, 11 Sirens, 12 Cyclops, 13 Nausicca, 14 Oxen Of The Sun, 15 Circe, 16 Eumaeus, 17 Ithaca, and 18 Penelope.

Ulysses is the tale of a Modern-day Odysseus, Leopold Bloom in his personal existential/sexual quest. The conclusion of this quest is the quintessential affirmation of humanity, the fundamental family unit - the father, mother, son, and daughter. Like Odysseus, absent from Penelope, traveling the world, for many long years, Leopold Bloom is also absent from his Penelope (in Dublin). Like a traveler (Odysseus), Bloom is sexually absent (abstinent) from Molly “10 years, 5 months and 18 days” (736). Unlike Odysseus, the obstacles Bloom faces are psychological (modern) - internal travails instead of Odysseus' external travails. Bloom's only son’s death has become a psychological barrier; as Molly reflects: “we were never the same since” (778). Yet Bloom is optimistic throughout the work - in regard to the possibility of another child, again Molly: ”Ill give him one more chance” (780). Affirmatively (as we grow to know Molly) we find she has given and is willing to continue to give Bloom “one more chance”. Through the course of the (Dublin) day, Bloom experiences “deep frustration, humiliation, fear, punishment and catharsis” (Herring, p.74). Bloom needs to lead himself back, out of self-deception, fantasy, and frustration to Molly’s (and his marriage) bed.

Bloom’s travails come in the Circe chapter and it is imperative (for Joyce) that as readers, we recognize Joyce’s change from Homer's Odyssey - this is Joyce's major rework, deviating from his Greek predecessor. For Odysseus: insight, understanding, enlightenment, and all importantly direction come to Odysseus in his journey to the (ancient Greek) Underworld. For Bloom, the Hades chapter or “the other world” represents an “emptiness of mind”; Joyce was a man grounded (and devoted) to the present world of man's consciousness and unconsciousness. In Ulysses enlightenment comes in the Circe chapter: described though the Joycean technique of hallucination or the discoveries of the "unconscious mind”. Joyce's Circe chapter (a surrealistic one-act Ibsen-like play) is where Bloom finds self-possession - (Joyce makes) Bloom encounter his own psycho-sexual existential questions, rather than finding life's answers in the dead ghosts of his life (the ancient Greek Hades chapter of the dead past).

In the Circe chapter, Bloom confronts and overcomes every major obstacle in his existential/sexual quest: the Molly he serves in Calypso reappears as Bello the whoremistress, Molly’s letter from Boylan and his from Martha are reworked into a series of seductive letters ending in a trial, his sexual infidelities beginning with Lotty Clarke and ending with Gerty McDowell are relived (importantly balanced by Molly’s infidelities) and reconciled, and lastly, Bloom triumphs over whore, Virgin-Goddess, and most importantly himself. Joyce equanimously gives both Molly and Bloom extramarital sexual infidelities - infidelities known by each of the other (as early as the Calypso chapter) Bloom was conscious of what was to come. Of course there will be resolution in marriage, for Molly only needs to feel that Bloom is willing. As we read, Bloom has undergone the travails of his own mind and has emerged Victorious. He has succeeded in his psycho-sexual existential quest. He has arrived at Molly’s bed. Self-possessed. Victorious. Eager.

Molly "I saw he understood or felt what a woman is and I knew I could always get round him...then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down in to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes. (END)".

After publishing Ulysses, Joyce began FINNEGANS WAKE (FW) - Joyce largely stepped out of one work into his next (and last work). The change Joyce made in FW was instead of using Homer's Ulysses as a framework - FW's framework is Giambattista Vico's "La Scienza Nuova's" 4 cyclic stages of history.

Joyce realized that he ended Ulysses wrongly (not in accordance with the Universe) in Molly's bed - Joyce corrects his mistake in FINNEGANS WAKE by incorporating Vico's revelation of restart / recirculation."HCE day" similar to Bloomsday (roughly 24 hrs): Chronologically FW starts with memories "book I:3" of HCE arrested in front of his gated refuge (from MaMaLuJo) unable to enter, unlike Bloom HCE does not enter through the back door, instead HCE is arrested in hours before dawn. Then memories "book I:4" HCE's psychological musings of past travails/guilts (living death, underworld excursion Ulysses ch Hades) while incarcerated in early hours of morning. Followed by memories "book I:2" HCE walks home through Phoenix Park accosted for the time of day (12 noon) which threatens (real/unreal memories, Ulysses ch Nausicaa) his innocent well-being. These 3 chapters in FW are Joyce's major rework to incorporate Vico's revelation of restart/recirculation into FW, Joyce rewrites 3 chapters of Ulysses: When He is denied Her front door, He is in Hell (on earth), when released (from Hell) His odyssey to Her begins again (with His ever-present accompanying internal travails) for She always knows when He is worthy of Her acceptance (their Paradise).

Then "book I:1" Finnegan's afternoon wake at HCE's tavern and retelling memories (books I:2-4). Inside HCE's tavern (his ship) his patrons talk about his family (Norwegian Captain and the Tailor's Daughter), truthful letters (ALP) and fabricated stories (books I:5-8 & II:3); while the children (Shaun, Shem and Iseult) are in and out of the family tavern/home all day taking their lessons (book II:2) and playing about with their friends (Shem's closing dream, book II:1); HCE, as proprietor, defends himself with a self-deprecating apologia before his intoxicated collapse late night (book II:3). HCE dreams on his tavern floor (book II:4); then dreams in his bed (books III:1-3); before intercourse with his wife ALP (book III:4). HCE & ALP's lovemaking dissolution dream (book IV) to awaken to a new day, Joycean Nirvana is attained by ALP's (& HCE's) awaiting Joyce's God "thunderclap" at the beginning of FW's "book I".

FW is aural (oral) history like Homer's Odessey and Celtic folktales - when one pronounces (phonology) FW's words (aloud) there are more languages than just English; also, when one reads (morphology) FW's words almost all the words are "portmanteaus / neologisms" which gives each of FW's "poly-syncretic" words many meanings (universal impermanence, Heisenberg uncertainty/obscurity), each FW syncretic sentence dozens of possible messages, each FW syncretic paragraph hundreds of possible readings, Joyce's rendering of a more expansive English language and multiplicating universal book with coalescing syncretic themes/stories (that responds/opens to each reader's inquiries). Joyce schooled in Christian Jesuit metaphysics (pushed down into the mindfulness of human consciousness) breathes in the spirit of expansive Celtic (Irish) democratic community tavern life where man's stories of life are told. Tavern life teaches the evolution of Joyce's ten "thunderclaps" (one hundred lettered words) pushing man's (technologic) evolution forward from cave man's tales to modern tv media tales: Indra's thunder upheavals: 1) Emergent human technologies (wheel, cloth, etc.), 2) Women's social/stratifying clothing (i.e. civilization's divisions), 3) Effeminate clerical social control (Buddha, Lao-Tze, Christ, Toltec seers, etc.), 4) Feudal degradation (cities/urban plight), 5) Writings disseminated (Gutenberg's press), 6) Renaissance (blooming informed culture), 7) Radio (instantaneous information), 8) Film (disseminated culture), 9) Reciprocating Engine (democratized travel), 10) TV (instantaneous global media culture). Inside the tavern man learns of the purely human (animal) fall, taken down by another human(s) - like animal taken down on the African savanna. A granular reading of FW can render FW as an updated John Milton's Paradise Lost (regurgitated knowledge from the tree, to affirm man's damnation); however, Charles Darwin's The Origin of Species was published in 1859 and Joyce in FW book II clearly walks Shaun, Shem and Iseult through their earthly evolutionary lifetime travails, our mortality is a consequence of Life's evolution. Every page of FW speaks to man's (unconscious biological survival, conscious "racing competitive" social, contemplative aspirational personal) evolution and to Life recirculating (West meets Dzogchen East a "meeting of metaphysical minds") that binds humanity together into the future. Dzogchen (beyond all dualistic polarities) the heart of human consciousness - Joyce's underlying (subcutaneous) arguments refute the "Western curse of metaphysical/mythological damnation", the curse does not exist in the Eastern mind. Like "counting the number of angels on the head of a pin" (Aquinas 1270) Joyce provides a granular/expansive reading of FW as a "defense against all Western adversity" for our conscious and unconscious Western travails. HCE's angst is caused by his community that imposes a Western curse (damnation) upon him that man is not guilty of...to experience Joycean Nirvana, a defense against this man-made guilt is required - for as Zoroaster revealed cosmogonic dualism, evil is mixed with good in man's everyday universal travails (even the Dalai Lama must defend Nirvana rigorously from the most populous authoritarian state in human history).

Joyce's FW celebrates the Joys of Christian/Buddhist diversity of humanity (expansive human consciousness: Gnostic Norwegian Captain, Shem, Archdruid), Brahma (Finnegan, HCE, Shaun), Divine Women (ALP, Iseult, Nuvoletta), his family - and the Sufferings of the inescapable "evil" of Shiva (Buckley), the debilitating harmful sterile intrusive authoritarian institutionalizing damnation (MaMaLuJo, St. Patrick) by Augustine, the manufactured clerical corruptions identified by Luther et al. (since 367 AD) and the burdens of "survival of the fittest" anxiety (modern commerce) met with a Dzogchen Buddhist stance. The (innocent infant) Norwegian Captain (Krishna, HCE), occasionally defensive (Shiva, HCE), though concretized (Brahma, HCE) by community family life (MaMaLuJo) - through spirits (drink) HCE accesses his spirituality (dreams) and through spiritual (cutting through) love-making with ALP (direct approach) they access (their Krishnas), unification with the Unmanifest. Joyce was a Prophet who consumed Man's conscious and spiritual "thoughts and dreams, history and gossip, efforts and failings" - to reveal the joys (Nirvana) and sufferings (Samsara) of Mankind.

Joyce's FW message: Christian/Buddhist omniscient compassion (Christ/Krishna) is eternally joyful and recirculating. Affirmative family (HCE/Brahma, ALP/Divine woman & children) existentiality: life's biological evolution (sex), modern survival (money), constraining community (Dharma, social evolution) are constantly assaulted by inescapable "aggressive insidious vile" corrupt soul(less/sucking) ossified demonic antipathetic attacks. Joycean Nirvana is attained via the Christian/Buddhist affirmative middle way, "beyond polar opposites" the path of Christ/Buddha.

Laptop Joyce
This is an admirable effort that includes all of "Dubliners," "Portrait of the Artist as a Young Man," the play "Exiles," a collection of poems, including "Chamber Music" and "Pomes Penyeach," five chapters from "Ulysses," and three from Finnegan's Wake. The entire volume is introduced briefly (16 pages); each major work has a short preface as well. Not surprisingly, such brevity omits the many interpretations of Joyce's works, and much background material. But this is a good get-your-feet-wet volume: An introduction to the major themes and styles of Joyce that can be approached by readers of varying experience.
"Dubliners" is easily comprehended at first reading (although the reader may choose to pursue its many layers by reading books that focus on interpretation), and may encourage the extra effort (and resulting pleasures) sometimes required for the other material. The inclusion of a few chapters from "Ulysses" and "Finnegan's Wake" afford a sampling of the author's more "difficult" books. I don't think the reader will come away with an appreciation of the total book (how could one?), but will gain some familiarity with Joyce's more complex works.
Should you buy this compact, thick, version, or the works individually? I think there are two groups to whom the book will appeal: The reader who wants a fairly comprehensive introduction to Joyce, and the Joyce-fan who knows he or she would like a portable collection. Both types will forfeit some ease of reading (the print is small, but surprisingly clear), the complete text of the longer books, and literary "decoding" and criticism for the convenience and savings of one volume. For these readers, this volume is highly recommended.

This is a very impressive sampling of one of the greatest manipulators of the English language, the member of the great trimverte of modern prose writers, who stands tall with Marcel Proust (1871-1922) and Thomas Mann(1875-1955).

I was very surprised that it not only contains his great collection of short stories which convey a great sense of Dublin, Dubliners (1914), but it has the complete novel, A Portrait of the Artist as a Young Man (1916). Not only that, it has all the poetry the man ever wrote (or at least all that sees the light in our modern times). AND...if that is not enough for you, it also contains his 1918 play Exiles. It also contains a sampling of his more complicated great stream of consciousness novels from his mature period and they are the great masterpiece of stream of consciousness writing which established it as a modern art form, Ulysses (1922) and the incredible, controversial, mind boggling epic that is Finnegans Wake (1939).

To read the latter is hard and to understand it is just about impossible. Think of it as a final statement of Joyce's art, sort of forging a new language, going beyond the constricing limits of the English Language or, if you're like most of it's "victims," think of it as a prelonged and rediculous practical joke. Whatever you think about this guy, you can't help but remember the writings of James Joyce (1882-1941).
The Portable James Joyce download epub
Author: Harry Levin,James Joyce
ISBN: 0670010308
Category: Literature & Fiction
Subcategory: Literary
Language: English
Publisher: Viking Press (January 7, 1966)